King crimson court of the crimson king full album

The CD booklet slathers eight of its 12 pages with a smattering of 1969 British music-paper clippings about the band's emergence and reception without any supplemental historical information accompanying it. The 1989 EG CD, labeled as 'The Definitive Edition Re-Mastered by Robert Fripp and Tony Arnold,' is a notch above standard 16-bit/44.1kHz CD fare, mainly due to the always meticulous Frippertronic nature of the band's key founding member. Meanwhile, Court CD releases have come semi-sparingly in waves, with each option having its own merits and demerits. While the original 1969 LP is indeed a nice of-era talisman to have on the shelf, I am much more partial to the 2019-issued 2LP 200-gram Inner Knot version, which spreads 12 tracks quite lovingly across four sides-2019 mixes of the original five-cut album on LP1 (approved by KC founder/ mainstay mastermind Robert Fripp), and seven alternate takes on LP2 (five mixed by Steven Wilson, two by David Singleton). Seriously-try reading minuscule white type superimposed over said extended Pepto-Bismol-pink pinky finger, not to mention the other areas blocked by superimposed blood-red moon spheres. In this case, size most definitely matters, for when the interior image is shrunk down for CD booklet reproduction, the Crimson King's outstretched hand that slightly overlaps the lyrics becomes annoyingly intrusive. The nostril-flaring, wide-mouthed screaming Schizoid Man cover image by Barry Godber is both stark and unsettling at the same time, while the gatefold's toothy Crimson King is just a little less, well, creepy. Without a doubt, Court is most striking in its full album-size gatefold form. The original 1969 Island vinyl LP (Atlantic in the U.S.) was a triumph not only for analog sound reproduction, but quite literally for heady album artwork as well. Whether it's the mournful title track or the frenzied all-in thrust of '21st Century Schizoid Man,' Court has a spark all its own. 'At the heart of King Crimson, there were always the songs.' Lake's insight is particularly poignant here, for Court, while expansive in scope and reach, is most certainly also about the songs at its core. 'The original King Crimson only had tinges of abstractivity,' original KC lead vocalist/bassist Greg Lake once told me. This five-track, beyond-progressive salvo brought together forward-thinking pastoral, orchestral, jazz, and blues-rock sounds into a distinctive blend that only served to widen the overall aural palette of the most formative decade in popular music. Few artists have oh-so-quantifiably defined their own uncopiable sound as definitively as King Crimson did with their October 1969 debut, the full-title-mouthful In the Court of the Crimson King: An Observation by King Crimson.

King crimson court of the crimson king full album